At ciasargantana, training is understood as a continuous practice, closely connected to the body, lived experience and the present moment. We do not approach workshops as closed spaces for the transmission of knowledge, but as places of training, listening and experimentation that nourish artistic creation, research and work with communities.
Our training processes emerge from real performative practice and adapt to each group and context. The core of the work is always the relationship between body, action, space and presence, understood as the basis for creation, communication and encounter with others.
Lines of practice
Training practices can take the form of regular training sessions, intensive workshops or accompaniment of creative and community-based processes, depending on the needs of each context.
iam system · performative practice
Training sessions and workshops focused on the development of performative presence through action. The work places the body in direct relation to space, time and material, offering tools to inhabit the stage with attention, availability and responsiveness.
This practice accompanies processes of creation, rehearsal and performance, and is particularly relevant for performers and creators who understand performance as a living space of relationship with the audience.
iam social · community-based practice
An adaptation of performative practice to social and community contexts. Through this line of work, tools related to body, presence and expression are shared so that individuals and groups can activate their own creative processes.
The work focuses on listening, respect for individual and collective rhythms, and the construction of a safe space from which to express oneself. This practice nourishes the company’s community-based creation projects, especially Breus.
Performance and technology · hybrid practice
A line of practice focused on the relationship between body, performance and technology. The work explores how technological systems can become part of the performative dispositif without replacing presence, but rather amplifying it.
This practice adapts to specific creative processes and always begins from performative necessity, not from technology as an end in itself. It is in dialogue with the research developed at Lanau7 and with projects such as Fractal.